Engram release debut album 'Das Kapital'

Martin with Attrition and John mostly under his own name. Together they have concocted an atypical mix of minimal wave, body music, soundtrack tonalities and lush melodies, bound with washes of dark electronics.
In 2018 a wheel turns full circle and a partnership forged 22 years ago is finally fulfilled.
Back in 1996 the original version of What Am I? was released in demo form on US label Silber Records compilation, Alleviation.
In 2013 the project was consolidated with a remodelled version of What Am I?
c/w the compelling atmospherics of Law of Betrayal and Hi Teikei No.
In 2015 the next single arrived and Karl Marx was given a new platform on the electro dancefloor.
'Leninism, Stalinism, Revolution...'
An 80's influenced political marriage of minimal synth wave and dark electronic rhythms & textures.
'Invasion, Infiltration, Intimidation...'
"A crisply chilling political observation..." Hot Music Live 

Produced by Martin Bowes & John Costello
Mixed and Mastered by Martin Bowes at The Cage Studios, Coventry, England. 2013 – 2018
Cover image by Rainer Ganahl

ENGRAM Photos by Antony Weir.
A limited edition, signed numbered digipack...
https://engrammusik.bandcamp.com/album/das-kapital

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Review: Engram – 'Karl Marx'

ENGRAM
'Karl Marx'
A TWO GODS PRODUCTION

The nineteen year old collaboration between electronic veterans Martin Bowes and John Costello had until now only produced one single in the form of 2013's 'What Am I?'. The single contained three tracks of progressive, cinematic electronics that distilled elements of their 30+ year careers and even goes on to recall the likes of Pink Floyd, Brian Eno and Kenji Kawai. The single hinted at great things to come, but sadly there was no full-length follow up. However in 2015 they have dropped a new single to coincide with the UK election.

The provocatively titled 'Karl Marx' is an undeniable electro floor-filler with it's Karftwerk-esque lead and political samples descending into a dark dance flavour. It's minimal, understated and deceptively straightforward, but it is nonetheless an addictive and memorable track.

The b-side, 'Highgate (Part 1)', returns to the ambient textures explored on the first release. Swirling synths and cinematic spaces vie for attention as the track slowly builds into a trippy and disorientating mix that sounds as though it would be at home on a sci-fi film soundtrack.

The production is excellent and has a clean modern style that brings the 80's themed electron crashing into the modern day while preserving the experimental edge that has been at the core of the Engram sound thus far.

Hopefully 'Karl Marx' is an indicator that the full-length Engram début is on the way. But in the meantime this is a great dance track with a wry bite of social commentary behind it that is fitting for the current political climate. Let's just cross our fingers there is more to come soon.  

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