Sheffield Corporation
Day 1 : Saturday 30th March 2013
The third annual Resistanz festival is also the second to
sell out. Lures include a reformed
Neuroticfish, the increasingly popular Celldweller and a European debut for
iVardensphere.
The event was preceded by the Escalation night on Friday,
which had its highs and lows.
Highs being Surgyn, looking and sounding slicker than ever, moving away from the medical elements
to become a 21st Century Industrial Soft Cell, with plenty of new
songs about wanting fame alongside previous favourites like ‘Sharp as Stars’
and ‘Aesthetics’.
Lows from Friday would be Alien Vampires, when your music is too bland to sell, get some
‘Satan’s Slut’ to get their tits out. Yay, sexism and awful stereotypes that are best forgotten.
Thankfully, Alien Vampires also provided the point where no
matter what else happened that weekend, it would still be better than them.
So, then day one.
Despite the early stage time, there’s still a modest crowd
here to hear the oontz, oontz, oontz of husband and wife combo Phosgore. It’s often difficult to bring, what is
effectively, a DJ set to life – but with interesting costumes and a commanding
stage presence from Flo D, they give a good effort in warming up the crowd.
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| Cease2xist bring the swag! |
Cease2xist really
give it a bit of a kick though, with musicians with different background
influences, they’re probably the most ‘punk’ of the acts this weekend. A guitarist who leaps around on stage like
his pants are on fire, vocalist Dayve Yates climbing on and over everything and
poor Seamus limited in his running around due to being on keys. Together they spit out 45 minutes of anti-establishment
spite, backed with a hard industrial spine. Exhausting.
Still, you can sleep during Chainreactor who don’t really know how to bring their show to
life and just kinda stand their lifeless pressing buttons. Their tracks have some interesting melodies
if you can find these below the chunky drum track.
After a brief interlude Funker
Vogt are there as a late replacement for Seabound. This has brought disappointment to some
people, but they step into the slot comfortably. Of course, they’re a known act with a good
collection of club hits; tracks like ‘Subspace’ have good depths and get the
crowd fired up nicely. As a minor
grumble, it is sometimes a little disappointing to see a drummer as the only
live musician on stage, particularly when there are drums in the backing track,
but still not shabby for a late replacement.
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| Here come the drums! Scott from iVardensphere |
With a set-up which appears to be drums, drums and more
drums it’s clear that rhythm is important to iVardensphere who proceed to drum the shit out of everything,
organic kits, electronic kits and toms – whilst also providing layers of
electronics. They toured with
Combichrist in the US and their heavy sound would fit in quite well there but
they also have tribal elements which helps them stand out in a scene with a lot
of similar bands. They are simply
awe-inspiring. The crowd is shoulder to
shoulder lapping every moment of their intense set. Despite most members having to remain static
your eyes still flit from member to member as you don’t want to miss what is
going on. A lot of people were looking
forward to them, but many surprised at just how well they nailed it.
 |
| Have an (Uber)byte of this! |
This type of band is near impossible to follow, so that Uberbyte do so very well is an
achievement within itself. Their key
message for tonight is “let’s have some fun” and so we’ve got everything from
Cthulu masks to blow up dolls to glitter cannons to Harlem Shake with Nicholas
Cage masks. OK... but, no, again taking most of their set from
the newest album, 'Five Year Plan', there’s plenty of breaks and beats as they show
off their hardstyle and drum n bass influences. There are also some very personal messages
in some of the tracks – including songs Richard wrote about his wife [‘The
Serpent and the Dove’] and family [‘Archetype’] and this shines as brightly as
some of the dafter tracks are fun.
 |
| Daniel Graves brings the light |
Tonight’s headliners Aesthetic
Perfection pretty much come, deliver, leave. Thankfully in that order. They open with a melody of the two recent
singles, giving a calm intro in the form of ‘All Beauty Destroyed’, the set
kicks into life as they turn it into ‘A Nice Place To Visit’ – as Tim Van Horn
beats all life out of the drum kit like he’s three members of iVardensphere
while Elliott Berlin dances round the stage with keyboard in tow. Maybe
keyboardists don’t need to be still. Of
course, AP are fronted by the charismatic Daniel Graves, as charming as he is
lethal with a mic in hand.
Aside from the opening bars of the set, it’s an otherwise
heavy set, the Manson-cum-Goldfrapp stylings of ‘Hit the Streets’, the ferocity
of ‘Spit it Out’, the bile of ‘The Great Depression’ and the sleaze of ‘Filthy
Design’ are part of the hard hitting set that barely stops for breathe. It’s pretty much job done.
Day 2 : Saturday 31st May 2013
An insanely early start (it’s not even 4pm!) for Vostor means sadly we did not catch
their performance. Others missed them
for the same reason. Maybe a little too
early for a band, especially one many who did catch them raved about.
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| BlackOpz - Oontz with intelligence |
Like Phosgore yesterday, the role of BlackOpz (and presumably Vostor) is to warm people up with a
bit oontz. There is, however, certain
intelligence in the tunes of BlackOpz – there’s a developed sound that makes
them a little *more* than just another dun-dun-dun act. They’ll be a lot higher billed in future…
ones to watch.
Don’t think many saw what was coming from Terrolokaust – a bit
industrial-metal for a Sunday afternoon, mosh-pits, Jonathon Davies-esque
vocals (and no surprises at a Korn cover!) and influences from Ministry and the
heavier end of Nine Inch Nails. The beef
in the set lifts an enthusiastic crowd as a metal boot is stamped down.
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| Terrolokaust - Sheffield likes metal, right? |
After two harder bands, Method
Cell stick out a touch for their more synthy set. Tracks from the début album ‘Curse of a
Modern Age’ have been spiced up and remixed a bit, whilst new material sounds
like it’d fit in with the old album. Which seems a bit backwards, but then it is a cracking album. A new track with much promise is ‘The Fallacy’,
which Apollo jokes is the “most manly song they’ve ever written”, it’s got a
lot more lift and boot to it. Impressive. They probably take
the award for jolliest band on stage, despite having songs about what bitches
some ex’s can be and how much they hate day jobs. Always charming, always enjoyable.
There’s a mid-afternoon interlude, for band signings,
eating, drinking and being merry – and after that is the not-quite-so-merry Noisuf-X who come with banging
rhythms and harder instrumental techno. Not the most visual of bands as you’ve a guy pressing buttons (may or
may not be switched on) and a guy hitting a drum pad. Musically, enjoyable enough to thud about to,
but barely memorable.
 |
| ADR - at a rare calm moment |
Although, Alter Der
Ruine couldn’t be much less memorable…!
Surreal industrial, frontman bordering on the nuts and the plain crazy –
oh – and a stage invasion with many other bands who showed off the moustaches
on their bums… OK… probably some songs in there somewhere. That you don’t know what’s coming next keeps
them just about interesting as their set is otherwise Marmite. Some seem to lap up the madness and others
seem genuinely disappointed.
 |
| Resistanz was a total Cell' out. Geddit? |
It’s been clear for a while there’s a demand for Celldweller in the UK, but it
wasn’t until fifteen minutes before they went on stage just how clear this was. As soon as ADR left the stage, the crowd that
had painfully (in some cases) put up with them started screaming for Klayton! The room was shoulder to shoulder and person
to person and the response was phenomenal!
Even before he pressed play on the DJ gear… So, on stage you have one guy (this is
billed as a ‘DJ Set’ rather than the full band) with a couple of laptops and a
mixer – plus a guitar. Yet he still
manages to blow away the majority. Most
probably just never thought they’d see any incarnation of the band, so are glad
to see Klayton there, on stage. The set
is a mixture of his own stuff, remixes he’s done and a couple of mash-ups. That he manages to get a sell-out industrial
crowd singing along to Black Sabbath is probably an achievement within itself. Influences of dubstep, metal, drum n bass
and rock all go into his set – he occasionally pops out from behind the booth
to play some guitar and sing one of his tracks.
Although… whilst it’s understanding that he cannot come out and sing the
likes of ‘Tough Guy’ whilst live mixing, to dance around the stage with guitar
to ‘Switchback’ and NOT sing his most famous track live was understandably
disappointing to many people and boggling to others. Whilst that was part-way redeemed for a
triumphant rendition of ‘The Lucky One’, it seemed a very strange decision to
make.
 |
Sascha does his best Jesus impression.
It is Easter Sunday.... |
And so… it’s time to go back to the futurepop with the newly
reformed Neuroticfish. Given that they were at their peak about
ten years ago and were one of the bands deemed ‘the future of music’, you’d
think now that we’re in the future that they wouldn’t sound so dated. They are working on a new album, but they’ve
got some catching up to do…. But still, Sascha is an easy going guy describing
his band as “silly German Techno” and arguing with the crowd about Doctor Who
and playing their cover of ‘They’re Coming To Take Me Away’. It’s daft, it’s fun. It’s a last chance to be a bit jovial over
the weekend (well, not counting aftershow DJs…) and if you like the band it’s
full of their better known tracks, ‘The Bomb’, ‘Velocity’ and ‘Why Don’t You
Hate Me?’ amongst the mix. Whilst it
doesn’t really hit a peak, after all that’s happened over the weekend – it’s
still a soothing way to bow out.
That’s that really. A
phenomenal Saturday and an enjoyable Sunday leaving people gasping for next
year’s event. The success of Resistanz
is a true beacon in the UK at the minute for industrial/electronic music and
doesn’t look set to dim just yet.
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